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An Artistic Tour of 1 Nephi 8

1 Nephi 8

1 Nephi 8

BOOK OF MORMON MUSIC

The Iron Rod” – Joseph L. Townsend & William Clayson

 In Lehi’s powerful and visually descriptive vision of the Tree of Life, he saw an iron rod that led to the tree.  The iron rod is the word of God, and “whoso would hearken unto the word of God, and would hold fast unto it, they would never perish; neither could the temptations and the fiery darts of the adversary overpower them unto blindness, to lead them away to destruction.”

A Priesthood Choir from BYU, under the direction of Ronald Staheli, performed “The Iron Rod” at the Priesthood Session of the April 2010 General Conference of the Church of Jesus Christ of Latter-day Saints.  LDS Hymns, 274.



1 Nephi 8:2

BOOK OF MORMON ART

Behold, I have dreamed a dream, or in other words, I have seen a vision.


Thus Lehi introduces one of the most memorable and spiritually impressive scenes in the Book of Mormon, now referred to as the Tree of Life vision.

This Liahona article combines a number of beautiful interpretations by various artists of Lehi’s Tree of Life vision.



1 Nephi 8:5

BOOK OF MORMON ART

















Lehi’s Dream

David Hyrum Smith


about 1875.  oil on canvas (61 x 45 cm).

The artist was born a few months after his father, the Prophet Joseph Smith, was martyred in 1844.

In the painting, Lehi is accompanied by the “Spirit of the Lord” (see 1 Ne. 8:5–6; 1 Ne. 11:11).

(Courtesy of Reorganized Church of Jesus Christ of Latter Day Saints Archives, Independence, Missouri; photograph by R. T. Clark.)



1 Nephi 8:9

BOOK OF MORMON CARVED WOOD




































Lehi’s Dream of the tree of Life

Kurt Sjökvist, 1995, Mockfjärd, Sweden


Carved wood, painted (157 x 101 x 101 centimeters).

Lehi’s reference to “a large and spacious field, as if it had been a world” is interpreted as a globe upon which the allegory is presented. (Photo by R. T. Clark, Museum of Church History and Art.)


1 Nephi 8:10

BOOK OF MORMON ART













Joseph Smith and the Tree of Life

Juan M. Escobedo

1987, Caliente, Nevada, United States; oil on board (127 x 76 cm).

The Prophet Joseph Smith leads the way in this Mexican folk art interpretation of the tree of life.


1 Nephi 8:10

BOOK OF MORMON SCULPTURE BLACK-ON-BLACK FIRED CLAY


Iron Rod and Tree of Life

Harrison Begay Jr.- Haashké yah Níyá (“The Wandering Boy”)


Navajo Indian artist (1914-2012)

1994, Espanola, New Mexico, United States

(23 x 18 x 18 cm).


1 Nephi 8:11

BOOK OF MORMON WORKED METAL




































Lehi’s Dream

Araceli Andrade


I beheld a tree, whose fruit was desirable to make one happy. And it came to pass that I did go forth and partake of the fruit thereof; and I beheld that it was most sweet, above all that I ever before tasted. Yea, and I beheld that the fruit thereof was white, to exceed all the whiteness that I had ever seen. And as I partook of the fruit thereof it filled my soul with exceedingly great joy; wherefore, I began to be desirous that my family should partake of it also; for I knew that it was desirable above all other fruit. —1 Nephi 8:10–12


1 Nephi 8:11

BOOK OF MORMON ART

Tree of Life - Kazuto Uota

























Tree of Life

Kazuto Uota


This stunning artistic work by Kazuto Uota was created in 1990. It represents the Tree of Life as described in the Book of Mormon, with its fruit glowing as it displays the power of God.

 This work was featured on the cover of the Ensign magazine in August, 2010, and generated much favorable response from the Ensign readers.



1 Nephi 8:11,12

BOOK  OF MORMON ART












































Lehi’s Dream

Real Heroes Poster – Steve Nethercott


Speaking of the fruit of the Tree of Life, which represents the love of God, Lehi said, “I did go forth and partake of the fruit. . . it was most sweet . . . . It filled my soul with exceedingly great joy.”

Real people – real power.  Real Hero Posters strives to capture the spirit of real heroes, the uniqueness of their world, the strength of their character, and the reality of their heroism.


1 Nephi 8:12

BOOK OF MORMON ART






























The Tree of Life

Xiu Wang

Chang-hua, Taiwan, 1995

Tempera on silk (170 x 68 cm).

 This “mountain water” style of painting focuses on the joy of sharing the gospel with one’s family. The inscription quotes 1 Nephi 8:12


1 Nephi 8:15

BOOK OF MORMON SCULPTURE









































Sharing the Fruit of the Tree of Life

Gary Lee Price.  2000


      “Other than Lehi’s awesome description of this great vision and metaphor for life, I’ve always been most impressed by his instant reaction to share the incredibly brilliant and delicious fruit with his family. Nephi tells us that his father saw a symbol for the ‘love of God’ and that it is the most desirable thing there is! What could be greater or more powerful than unconditional, eternal love? Little wonder Lehi wanted to share that with those he loved most!

      “I envision the symbolic tree as one that has withstood the test of time. A tree that despite the elements and the centuries of seasons, has not only survived, but thrived! Its roots have sunk deep into the life-giving earth. It draws continual nourishment year after year – readily giving all of its precious fruit; as an oasis in the desert, to any and all travelers needing its life-sustaining energy.

      “It is my hope an as artist that Lehi’s vision of the Tree of Life will inspire all of us to reach deeper inside ourselves and find that unquenchable source of love that nourishes and uplifts all we meet.”





1 Nephi 8:16

BOOK OF MORMON ART

Lehi’s Dream – Gary L. Kapp

Lehi’s vision of the Tree of Life is a memorable high-light of the Book of Mormon.  After he ate the wonderful fruit of God’s love, he worked to bring his family to the tree.

Speaking of a part of them, the Book of Mormon records, “And it came to pass that they did come unto me and partake of the fruit also.”


1 Nephi 8:16

BOOK OF MORMON ART
























Lehi’s Vision of the Tree of Life

Robert Yellowhair, Snowflake, Arizona, United States


Oil on canvas (121 x 76 cm). 1992.

The artist uses traditional symbols to express his belief that Native Americans are descendants of Lehi. Brother Yellowhair, a Navajo from the Zuni clan, has adapted the essential themes of Lehi’s dream of the tree of life to a Native American setting. A piñon tree, brilliant with light, symbolizes the tree of life; the pine cones are the white fruit. Father Lehi is dressed as a Hopi priest because Hopis are acknowledged among Native Americans of the Southwest as the traditional religious leaders. Sariah is depicted as Crow Mother, the first mother of the Zuni. Nephi, on his mother’s right, is depicted as the visionary Comanche chief, Quainapaker, from the early twentieth century. Sam is depicted as the great peace-loving Shoshone chief, Washakie. Laman and Lemuel stand in the background. The “great and spacious building” is a composite of all the domestic architecture of the Southwest tribes. – Ensign October 1992


1 Nephi 8:19

BOOK OF MORMON FIRED CLAY

































Become Familiar with the Scriptures

Taichi Aoba, Sai jo-Shi, Ehime-ken, Japan


1993.  (35 x 26 x 10 cm).

Lehi’s vision of the tree of life is encircled by other key stories from the Book of Mormon.




1 Nephi 8:21

BOOK OF MORMON ART


















Lehi’s Dream, 1984

Dar Churcher

Victoria, British Columbia, Canada

Beeswax on rice paper (71 x 61 cm).

 The artist suggests that some who set out for the fruitful tree of life may be lured toward barren trees shown at the right of the print.


1 Nephi 8:22

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Lehi’s Dream of the Tree of Life  

Adrian Van Suchtelen  

Ink on paper



1 Nephi 8:23

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That Good Part blogger has illustrated Lehi’s dream  with a dozen multi-media pieces.  Click on image to see her post with the rest of her charming illustrations.


1 Nephi 8:24

BOOK OF MORMON STAINED GLASS























































Partake of the Fruit

Leslie Vaun Martin


leaded stained glass door

“Behold, I have dreamed a dream” (1 Nephi 8:2), Lehi proclaimed to his family. He then described a tree whose bright, white fruit filled his soul with great joy. With the feeling of a tender parent, Lehi entreated his family to partake of the fruit of the tree—the love of God. In this piece, the tree of life feeds on the fountain of living waters. Its gnarly trunk, rooted in the rock of revelation, gives foothold to all who climb to partake of the fruit. Light enlivens the roots, leaves, and fruit. Righteous desire starts us on the path; joy is our reward.



1 Nephi 8:26

BOOK OF MORMON SCULPTURE





The Vision of Lehi (The Tree of Life)

Lukchau Tang


Pearl shell sculpture

“This work is pieced together with pearl shells, featuring ancient Chinese architecture and people. The colors displayed by the pearl shells are more dazzling than ivory and will not fade. That is why I chose pearl shells.”




1 Nephi 8:26,27

BOOK OF MORMON ART































The House of the World

Minerva Teichert

Lehi and Nephi saw the beautifully symbolic Tree of Life in vision, which represents the Love of God.  The also saw a great and spacious building, filled with people mocking those who were partaking of the pure fruit of the Tree.

“In this representation of Lehi’s Dream from chapter 8 of the first book of Nephi, Teichert reverses traditional symbolism of light and dark. As in real life, the blessings of faith and obedience are sometimes not as immediately apparent or attractive as the entrapments of Satan.”


1 Nephi 8:33

BOOK OF MORMON RETABLO




































The Tree of Life, (el árbol de la vida)

Jeronimo Lozano, Salt Lake City, Utah, United States


1995.  Painted plaster paste on wood (122 x 96 x 18 cm).

Using the compartments of a traditional Peruvian retablo, the artist depicts Lehi’s dream in sequence. (Photograph by R. T. Clark.)


1 Nephi 8:33

BOOK OF MORMON ART





















The Tree of Life  

Avon Oakeson

Oil on canvas


1 Nephi 8:35

BOOK OF MORMON APPLIQUE















Tree of Life

Abu Hassan Conteh, Freetown, Sierra Leone


Applique, fabric on fabric (152 x 99 cm). 1994

Cattle, a traditional African instrument of exchange used to seal sacred contracts, here represent the covenant white-haired Lehi is making with the Lord. His family, upper right, make their way to the tree, but Laman and Lemuel and two seated figures are interested only in worldly things.






1 Nephi 9-11 1 Nephi 1-7